Dominic Armstrong is a tenor on the rise. A graduate of both The Curtis Institute and The Juilliard School, Mr. Armstrong has performed a vast range of operas in many styles. From the early music of Cavalli, to the contemporary works of Argento, to the standards of Mozart, Donizetti, and Puccini, and even the musical theatre of Bernstein and Loesser, Dominic has
continued to successfully prove his vocal versatility. Mr. Armstrong has performed with The Opera Company of Philadelphia, Opera 
As comfortable in art song as he is in opera, Mr. Armstrong has performed many recitals in a variety of venues, including as a member of the Steans Institute with the Ravinia Festival, and as a guest recitalist for Opera Theatre of St. Louis, NATS Midwest Region, and the French Embassy in Washington, D.C., where he also recently appeared in recital with pianist Steven Blier. He has also appeared in art song masterclasses with tenor Matthew Polenzani, director Frank Corsaro (as a participant in Marilyn Horne's The Song Continues... series) and recently participated in a masterclass series with baritone Roberto de Candia in Treviso, Italy.
In addition to being named a Grand Finalist in the Metropolitan Opera National Council Auditions, Mr. Armstrong has also won prizes from The Sullivan Foundation, the Opera Index Competition, George London Scholarship Competition, the SAI Vocal Competition, NATS Regional and District Competitons, and was the first two-time winner of Truman State University's Gold Medal Aria Competition. Most recently, Mr. Armstrong won first prize in the Liederkranz Art Song Division, and the William Boldyga & Betty Myers Incentive Award in the Annapolis Opera Competition.
In the 2009 season, Mr. Armstrong made his debut with Chicago Opera Theatre as Tito in La Clemenza di Tito with Diane Paulus conducting and Christopher Alden directing, followed by a return to both Castleton and Wolf Trap, where he is reprising Macheath in The Beggar's Opera, and portraying Ulisse in Claudio Monteverdi's Il ritorno d'Ulisse in patria.
"Dominic Armstrong...seemed a real Verdi tenor in the making..." Anthony Tommasini, New York Times